TL Audio 5051 - Mono Tube Voice Processor TL Audio 5051 - Mono Tube Voice Processor TL Audio 5051 - Mono Tube Voice Processor TL Audio 5051 - Mono Tube Voice Processor TL Audio 5051 - Mono Tube Voice Processor TL Audio 5051 - Mono Tube Voice Processor TL Audio 5051 - Mono Tube Voice Processor
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TL Audio 5051 - Mono Tube Voice Processor
TL Audio 5051 - Mono Tube Voice Processor TL Audio 5051 - Mono Tube Voice Processor TL Audio 5051 - Mono Tube Voice Processor TL Audio 5051 - Mono Tube Voice Processor
TL Audio 5051 - Mono Tube Voice Processor
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TL Audio 5051 - Mono Tube Voice Processor
TL Audio 5051 - Mono Tube Voice Processor
TL Audio 5051 - Mono Tube Voice Processor



5051

Mono Tube Voice Processor

TL Audio 5051 - Mono Tube Voice Processor
TL Audio Valve Signal Processing TL Audio 5051 - Mono Tube Voice Processor
TL Audio 5051 - Mono Tube Voice Processor

Overview

The single channel voice processor format has become the accepted way of getting the most out of any sound source. The 5051 provides the perfect front end for any system by offering a combined preamp, compressor, equaliser and noise gate all in one easy-to-use package: now with an optional digital output. The 5051 compressor section is identical to that of the 5021 and includes hard/soft knee modes, and the four band equaliser section is modelled on that of the legendary TL Audio EQ-1 - yielding superb results instantly, with an improved optical gate for removing unwanted source noise. So whatever your source, let the 5051 unlock its true potential!

The 5051 features no less than six valve stages, supplied by three twin triode ECC83/12AX7A valves running from a stabilised 150V DC power supply. One valve stage is located in the preamp, one in the compressor gain control circuit, and four in the equaliser section.

TL Audio 5051 - Mono Tube Voice Processor


Main Features

  • NEW Preamp stage provides Input Gain, 48V, 90Hz filter and 30dB pad
  • Compressor section with control of: Threshold, Ratio, Gain Make-Up and Output Gain
  • NEW Hard/soft knee compression modes
  • Four switchable Attack times from 'Fast' (0.5mS) through to 'Slow' (40mS)
  • Four switchable Release times from 'Fast' (40mS) through to 'Slow' (4S)
  • NEW Optical gate with variable control of Threshold (from -10dB to 'off')
  • Switchable VU metering of input level, output level or gain reduction
  • Drive and Peak LEDs to indicate internal signal level
  • Front panel instrument input (for guitar, keyboard etc)
  • Balanced XLR mic input
  • LF EQ band gives ± 12dB shelving at 60Hz, 120Hz, 250Hz or 500Hz (12dB/octave)
  • LM EQ band gives ±12dB peaking at 250Hz, 500Hz, 1kHz or 2.2kHz (Q=0.5)
  • HM EQ band gives ±12dB peaking at 1.5kHz, 2.2kHz, 3.6kHz or 5kHz (Q=0.5)
  • HF EQ band gives ±12dB shelving at 2.2kHz, 5kHz, 8kHz or 12kHz (12dB/octave)
  • 'EQ Pre' switch allows the EQ section to be placed ahead of the compressor section
  • 'Link' switch allows two 5051s to be connected for stereo operation
  • Balanced XLR line input/output duplicated on unbalanced jack connectors
  • Sidechain insert point
  • NEW Optional 24 bit digital output
TL Audio 5051 - Mono Tube Voice Processor

Specifications:

  • Mic Input: Mic Noise (EIN): -127dBu (150 ohm source,22Hz to 22kHz)
  • Line Input (Balanced): Maximum level: +26dBu
  • Line Output (Balanced): Maximum level: +26dBu
  • Frequency Response: 10Hz to 40kHz, +0, -1dB
  • Noise: -80dBu (22Hz to 22kHz)
  • Dynamic Range: 106dB
  • Power Supply: Consumption: 20VA typical
  • Dimensions: 483 x 200 x 88mm
  • Shipping Weight: 6kg
  • (The above specifications are subject to change without notice)
TL Audio 5051 - Mono Tube Voice Processor

Optional Extras

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TL Audio 5051 - Mono Tube Voice Processor
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TL Audio 5051 - Mono Tube Voice Processor



I use the 5051 mainly for mono signals such as a lead vocal, bass lines and of course drums. The warmth and good presence that this machine generates is second to none. The style of music that I do requires edge and this is what I like about the 5051 because it’s almost impossible for it to distort your music. Whether it’s the EQ, compressor or the gate or all at the same time you can push it to a limit where other machines cant handle it
The 5051 has been a pleasure to work with. It blows away the mic amps on even the most expensive Midas desks and the compressor and EQ make it so much easier to get a natural sound for Kim's voice
It really does have a sound and character that I find is missing in a lot of current audio products.
The difference when you plug it in is like night and day.

TL Audio 5051 - Mono Tube Voice Processor TL Audio 5051 - Mono Tube Voice Processor
TL Audio 5051 - Mono Tube Voice Processor TL Audio 5051 - Mono Tube Voice Processor
TL Audio 5051 - Mono Tube Voice Processor TL Audio 5051 - Mono Tube Voice Processor TL Audio 5051 - Mono Tube Voice Processor TL Audio 5051 - Mono Tube Voice Processor TL Audio 5051 - Mono Tube Voice Processor TL Audio 5051 - Mono Tube Voice Processor
TL Audio 5051 - Mono Tube Voice Processor TL Audio 5051 - Mono Tube Voice Processor
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TL Audio 5051 - Mono Tube Voice Processor

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