I use the 5051 mainly for mono signals such as a lead vocal, bass lines and of course drums. The warmth and good presence that this machine generates is second to none. The style of music that I do requires edge and this is what I like about the 5051 because it’s almost impossible for it to distort your music. Whether it’s the EQ, compressor or the gate or all at the same time you can push it to a limit where other machines cant handle it
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It really does have a sound and character that I find is missing in a lot of current audio products.
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The 5051 has been a pleasure to work with. It blows away the mic amps on even the most expensive Midas desks and the compressor and EQ make it so much easier to get a natural sound for Kim's voice
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The difference when you plug it in is like night and day.
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Originally I used to track everything through a basic analogue mixer and thought everything sounded fine ?it was only by actually plugging TL Audio boxes in that I became acutely aware of how much better things can sound.
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The 5060 is very warm, in this day of digital it puts life back into your sound. Man this product is so warm it’s hot!
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"I was amazed at what the C-1 did for the track. The bottom end was warm and solid and the high end was clear and open."
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The increase in intelligibility and signal quality was immediately noticed by all.
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The smoothness and warmth that the C-1 tube pre-amp /compressor provides to each track or mix is awesome! The big, creamy and punchy sound, places the instruments right in the mix.

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It has a marvellously transparent sound that I find ideal for vocals.
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I had auditioned other valve equalisers for the Led Zeppelin album, but the EQ-2 came out on top since its sound suited the project so well - both Jimmy Page and I loved it for the sort of top end we wanted.
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Tori started using TL Audio products on the 'To Venus and Back' album. Having purchased C-1, EQ-2 and 5051 units she declared that all the units are highly musical. - (Engineers - Tori Amos)
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"Its the only all tube console on the market perfect for warming up the digital age."
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I love the M4 , its got a great sound , well done and i am loving it , thank you and the TLA team

Big ups !!!!!

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"It's become an essential piece of kit for my live set up."
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A very pleasing valve warmth
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Since I’ve bought my VP-1s they’ve been used nearly all the time.
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I just love the sound of the VTC. It’s big, fat and wide, and because the EQ is so warm I find myself dialing in a wide bandwidth and just piling it on
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As far as the console goes, there's nothing in its price range to match it - its ease of operation is second to none, and it sounds great. It really is a pro desk at a semi-pro price
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"The VTC fits perfectly here because it's ergonomics are simple, logical and flexible - and it sounds absolutely amazing! Every aspect of it is attractive - the way it looks, the way it sounds and the way it functions."
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I’ve finally lost my fear of over-EQ’ing material - the console really lets me pile it on without destroying the sound.
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"We recorded and mixed on a 32 channel TL Audio VTC valve console installed at my London base, ‘Belly of the Beast Studios."
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The VTC has easily been the best equipment purchase I’ve made since setting up Earthworks
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"When we saw the console we knew instantly that we had to have it. The EQ on the VTC is really detailed, making it easy to pick out what you want... it really is a monster piece of kit!"
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The mixer is so pleasant sounding, and also reveals qualities in the equipment connected. Not only high quality microphones and outboard, but also modest stuff like dynamic microphones, cheaper processors and my vintage keyboards now show new sides that I never knew existed.
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Its very hands-on, very simple - it feels good and the EQ’s are very musical. You don’t have to play around for a long time to get a good sound from the channels. It’s certainly got a lot of musicality about it and its just very flexible.
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The quality of preamps on the VTC really attracted us. We needed the highest quality front end and wanted to keep the signal path as simple as possible with only one A/D stage. The VTC allows us to do that and it gives us that high quality valve sound
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"I just fell in love with it - I’ve never achieved a sound as warm and luscious as I’m currently getting, and having this vibe at the early stages of writing and recording is really spurring me on. The VTC is an absolutely inspiring desk to work with!"
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Since we mix entirely within the Pro Tools environment, we really treat the console like a rack of outboard on its side!
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I was looking for a console that was not only functional, but was inspirational as well.... I found it!
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Working with ProTools HD and then mixing it on the valve console is the magic combination. The first three albums I've produced on it sounded great, and the musicians loved it.
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All the elements of the VP-1 sound excellent.
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I was captured by the nice design of the VTC, and since I was looking for a good sounding console, I checked out the EQ - and was immediately impressed by its warm sound, which even in extreme positions doesn’t sound harsh.
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The VTC starting earning its keep straight away by allowing us to check the original masters for the new DVD release. I knew I could trust what I was hearing though the console, and we were instantly happy with the sound we were getting. Now the VTC has become part of our writing process, since we tend to write and mix material at the same time.
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